Noise Engineering's Basimilus Iteritas, Cursus Vereor, and Desmodus: percussion, synths, plus a reverb unlike any other. All-in-one plugin pack at a bargain price in AAX, AU, and VST3.

Already have Bundle 1 and just looking to update? Just go to the Noise Engineering Customer Portal to get the new and improved installer. Run that to update your plugins!

Please try the Freequel Bundle first to make sure our plugins are compatible with your system. Unfortunately, we are unable to support plugin registration in areas where open internet is not available.

Based on our Eurorack products, these plugin versions offer polyphony, a powerful modulation system, extensive MIDI capabilities, a huge library of presets, and in-the-box ease of automation and sequencing. 

If you want intuitive and easy-to-use tools that give unique sounds and atmospheres like you've never heard, this is the plugin bundle for you. 

Basimilus Iteritas is a parameterized drum synthesizer with its roots in the analog world. At its heart, it’s a simple six-oscillator additive synthesizer with adjustable waveform, harmonic spread, and decay. Basimilus also includes an adjustable attack, including a noise oscillator. These are summed and fed into an infinifolder for crunch and variety. Basimilus Iteritas has a host of features and algorithms that make creating percussion simple and enjoyable. It’s easy to morph from a kick to a snare to a hat with just a few parameters: everything on Basimilus Iteritas is designed with automation in mind.

Cursus Vereor is based on the core synthesis of our hardware oscillator Cursus Iteritas, and adds in a musical ADSR envelope and lowpass gate/VCA section with a vintage-inspired chorus. The synthesis portion works from a dynamically generated oscillator. It gives the user spectral-like controls over three different modes based on different conceptualizations of frequency: Fourier, which uses sine waves; Daubechies, using wavelets, and Walsh mode, using the Walsh transform. Cursus Vereor parametrizes a wide variety of sounds, but because the sounds are all based off of orthogonal functions, it has a musical tone structure and can produce an extremely wide variety of harmonic sounds. Add in randomization, envelope shaping, sample rate control, and wavefolding, and you have a synth like nothing else.

Desmodus is a unique parameterized reverb and synthetic-tail generator designed for creating unearthly and potentially infinite spaces. The parameters on Desmodus are designed to be automated and played: spaces can be morphed from reverb to delay to complete chaos with the slide of a few faders. Three reverb algorithms affect the way the feedback path of the reverb behaves: there’s clean, distorted, and a pitch-shifting shimmer.

Not experimental enough? The Regen parameter, which controls the feedback amount, can go above 100%, creating infinite tails that never go away. Past 75%, the reverb also starts ducking based on the input signals, creating dynamic atmospheres. The parameters are designed to be automated, and can seamlessly morph between delay, reverb, and terrifying atmosphere.