Percussion is fun. But how do we patch up drum sounds ourselves? Let’s start simple with some kicks!Read More
Filtering by Category: tips and tricks
Our pal TL3SS got ahold of the new Terci Ruina and he is not afraid to use it and a lot of other distortions. Behold.Read More
What makes up a subtractive voice? Let’s quickly go over all the stuff you need!Read More
Markus here again! Today we’ll be looking at one of my favorite techniques, ducking!Read More
Obviously, compression is a useful tool. How do we bring it into our Eurorack system?Read More
If you are into modular synths, you probably already know Patrick O’Brien, or POB Energy. Patrick is a friend of NE, and he does all of our demo videos (and does a killer job!). A while back, we asked Patrick to put together a demo for our new Ataraxic Iteritas. In the process of making the jam for that demo, he dropped the Loquelic Iteritas Percido into the case and got ready to roll.
…and then a strange thing happened.
Between email and social media, we’ve been asked about how to start in modular so many times we’ve lost count. Today we attempt to demystify the basic concepts that you’ll need to know and guide you through some functions that will be helpful to have in your system starting out. Remember, eurorack is all about creating a system that works for you, and it’s all personal preference. There are plenty of popular modules out there, but if they don’t work for you, there’s no reason to have them, even if everyone says you should. We’ll be talking broad concepts as opposed to specific modules as much as possible in this post, and then showing some examples of what we’d want in our own personal systems if we were starting out again.Read More
This week, we’re doing something a little different: we’re featuring a post from Kirk Markarian that showcases our recently released Rack Extensions for Reason. We’ve been dipping our toes into the Rack Extension world for a few months and last week released the newest installment, the Vereor series, which includes six Noise Eng oscillators with built-in low-pass gates and VCAs. Kirk was a beta tester and was kind enough to put some demos together for us, and then just kept on playing. Here we talk a bit about how he uses these and what draws him to Reason and the NE REs in particular. Think of it as sort of a written Song Exploder for Reason.Read More
This week, I got to talk to techno and deep house artist Trovarsi. I met Trovarsi a few short years ago when she was new to modular and ran into her recently at a demo. The music she’s doing these days incorporates modular into really killer beats and other parts of her work flow and I was ecstatic when she agreed to talk to us about how she uses modular.Read More
If you’ve been paying attention to Noise Engineering blog for a while, you may be familiar with Rheyne. Also known as his alter ego, Jon Barbieri, he did a great guest post about a year ago and has been posting amazing stuff all over Facebook and Youtube and, well, all the places for a while. We were chatting recently and we batted around the idea for a follow-up post.Read More
If you’re newer to modular, you may be wondering just how all those knobs handle that CV (control voltage) input. Heck, I’ve talked to some experienced users who haven’t wrapped their brains around the terminology and how this all works.Read More
I love CVs. Who doesn't? But I also frequently run up against space constraints in my case, as I bet many of you do too. My compromise for this has been to use gate/trigger sources as CVs. I'm absolutely not the only one who has thought of this, but I've seen enough people surprised by this when I give demos that I think it warrants some discussion. And of course a badass demonstration or two of how you can use it in your own case.Read More